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CFP: Reimagining Disability through “Disability Gain” (RSA Panel)

This panel welcomes contributions devoted to the long genealogy of literary, visual, and historical representations of the disabled or “defective” body, particularly those also attentive to the concept of “disability gain.” Coined by Rosemarie Garland-Thomson, “disability gain,” allows Renaissance scholars to reconsider and reimagine the disabled body (​​Fox, Krings, Vierke, 2019). Through this framework, based…

CFP: Making Madnesses in Early Modern England (RSA Boston, March 20-22, 2025)

deadline for submissions:  August 12, 2024 full name / name of organization: Avi Mendelson / RSA Conference, Boston, 2025 contact email: amendel@brandeis.edu In John Ford’s raucous tragicomedy, The Lover’s Melancholy (1628), the proto-psychiatrist Corax attempts an experimental treatment on his forlorn melancholic patients: he stages a masque – acted by the allegorical figures of psychic ailments, including…